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Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or ...
Hip house, also known as rap house or house rap, is a musical genre that mixes elements of house music and hip hop music, that originated in both London and Chicago in the mid-to-late 1980s. [ 1 ] A British collaboration between the electronic group Beatmasters and the rap duo Cookie Crew created " Rok da House "; possibly the first hip house ...
Jersey club (originally called Brick City club [1]) is a style of electronic club music that originated in Newark, New Jersey, in the early 2000s. It was pioneered by DJ Tameil, Mike V, DJ Tim Dolla, and DJ Black Mic of the Brick Bandits crew, who were inspired by Baltimore club's uptempo hybrid of house and hip hop. Other young producers also ...
Hip-Hop: Beyond Beats and Rhymes is a 2006 documentary film written, produced, and directed by Byron Hurt. The documentary explores the issues of masculinity, violence, homophobia, and sexism in hip hop music and culture, through interviews with artists, academics, and fans. Hurt's activism in gender issues and his love of hip-hop caused him to ...
The use of profanity as well as graphic depictions of violence and sex in hip hop music videos and songs makes it hard to broadcast on television stations such as MTV, in music video form, and on radio. As a result, many hip hop recordings are broadcast in censored form, with offending language "bleeped" or blanked out of the soundtrack, or ...
Baltimore club, also called B'more club, B'more house or simply B'more, is a music genre that fuses breakbeat and house. It was created in Baltimore in the early 1990s by Frank Ski , Scottie B, Shawn Caesar, DJ Technics, DJ Class, DJ Patrick, Kenny B, among others.
Hip house is a subgenre of house music which features rap vocals performed over a house rhythm track. Their initial success brought comparisons with pop record producers Stock Aitken Waterman , [ 2 ] but the Beatmasters cited rival producers Coldcut as their major competitor.
The "embryonic hip-house track" [2] was "one of the earliest examples of hip house". [ 3 ] The duo moved on to another record label, FFRR and different producers, resulting in a string of hit singles in 1989, with "Born This Way (Let's Dance)", "Got to Keep On" with Edwin Starr and "Come and Get Some"; plus the album Born This Way! which ...