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Ashley Laurence is an American actress and visual artist. She made her film debut in 1987 as the lead character, Kirsty Cotton , in Clive Barker 's horror film Hellraiser (1987), a role she later reprised in Hellbound: Hellraiser II (1988), Hellraiser III: Hell on Earth (1992), and Hellraiser: Hellseeker (2002).
The following is a list of Canadian artists working in visual or plastic media (including 20th-century artists working in video art, performance art, or other types of new media). See other articles for information on Canadian literature , music , cinema and culture .
Kirsty first appears in Hellraiser as the teenage daughter of Larry Cotton (Andrew Robinson) and stepdaughter of his second wife Julia Cotton (Clare Higgins).Kirsty moves with her parents to England to the house of her uncle Frank Cotton (Sean Chapman), who has disappeared sometime ago, but refuses to live with her parents, instead opting to live in a place of her own.
Hellbound: Hellraiser II is a 1988 supernatural horror film directed by Tony Randel and starring Clare Higgins, Ashley Laurence, Kenneth Cranham and Doug Bradley. [4] [5] It is the second film in the Hellraiser franchise, and draws heavily upon its precursor, Hellraiser, which was released a year before with much of the same cast and crew.
After visiting over 50 countries around the world, a few places truly stood out.. Some of my favorite major cities include New York City and London. I loved experiencing otherworldly beauty in ...
It is rather flatly lit, but director Eric Freiser generates some often quite unusual atmosphere – like scenes where Ashley Laurence turns away from a mirror and unseen by her her reflection starts screaming; one victim being transformed into glass and then shattered; and a scene where Ashley Laurence thinks she has broken through a wall and ...
Shortly after arriving in California, she went to a convenience store and heard a man preaching in the parking lot. The second time she saw him, the pair exchanged numbers and quickly started dating.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
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