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Title Director Cast Genre Notes Back Pay: William A. Seiter: Corinne Griffith, Grant Withers, Vivien Oakland: Dramedy: Warner Bros. [20] The Bad Man: Clarence G. Badger: Walter Huston, James Rennie, Myrna Loy
A website for Sisters in Cinema Documentary: A History of African American Women Feature Film Directors; Black Film Archive: A showcase for Black films made from 1915 to 1979; Columbia University on Women Film Pioneer Project: African-American Women in the Silent Film Industry; The Atlantic on When Hollywood's Power Players Were Women
Black and White Rhapsody: Martin Frič: Czechoslovakia: City film [35] Dada: Mary Ellen Bute, produced by Ted Nemeth: United States: Abstract animation, black and white [81] Hell Unlimited: Helen Biggar, Norman McLaren: United Kingdom: Anti-war political short [82] The New Architecture and the London Zoo: László Moholy-Nagy: United Kingdom Redes
1930. Son of the Gods; 1936. Show Boat; ... The Watermelon Woman; 1997. 4 Little Girls* Amistad; ... This is a list of films that deal with the topic of race or ...
Many full-length films were produced in the 1930s. Sound films ("talkies") were a global phenomenon by the early 1930s. Advances in color film included Technicolor and Kodachrome. The year 1930 is the start of "the golden age of Hollywood", which through at least the 1940s. The studio system was at its height in
This is a list of films produced, co-produced, and/or distributed by Warner Bros. and also its subsidiary First National Pictures in the 1930s. From 1928 to 1936, films by First National continued to be credited solely to "First National Pictures".
Beah: A Black Woman Speaks (2003) The Black Candle (2008) The Black List: Volume 1 (2008) The Black List: Volume 2 (2009) The Blues (2003) Hairkutt (2005) Colored Frames * (2007) Dare Not Walk Alone * (2006) E Minha Cara/That's My Face (2002) Faubourg Treme: The Untold Story of Black New Orleans (2008) February One: The Story of the Greensboro ...
She was one of the first Black Americans to gain recognition for film and stage work in the 1920s and 1930s. Washington was active in the Harlem Renaissance (1920s–1930s). Her best-known film role was as Peola in Imitation of Life (1934). She plays a young light-skinned Black woman who decides to pass as white.