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The Georgia Archives was established on August 20, 1918, after a prolonged effort on the part of the Archives' first director, Lucian Lamar Knight. [2] The Archives occupied a balcony in the State Capitol Building for twelve years until 1930, when furniture magnate Amos G. Rhodes left his home, "Rhodes Hall", to the state.
The Digital Library of Georgia (DLG) is an online public collection of documents and media about the history and culture of the state of Georgia, United States. The collection includes more than a million digitized objects from more than 200 Georgia-related collections.
Neumatic Hymns, 10th-11th cc. Triodion 13th-14th cc. Georgian manuscript Lectionary, 10th c. 1446/350 Psalter, 10th c. 1446/171 The Central Historical Archive, located in Tbilisi, is the main hub for historical documents and the archives contain many documents pertaining to the ancient history of what is now Georgia.
The library viewed from within the museum. Early in his administration, Carter indicated interest in having his presidential library be built in Georgia. [5] The site chosen was in the Poncey–Highland neighborhood of Atlanta, on land that had been acquired by the state of Georgia Department of Transportation, for an interchange between two redundant highways that were cancelled by Carter ...
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The National Centre of Manuscripts was founded in 1958 under the name "The Institute of Manuscripts of the Georgian Academy of Sciences". It was created on the basis of the collection in the Department of Manuscripts at the Georgian National Museum and on the initiative of Ilia Abuladze, who became the first director of the Institute.
Archival research lies at the heart of most academic and other forms of original historical research; but it is frequently also undertaken (in conjunction with parallel research methodologies) in other disciplines within the humanities and social sciences, including literary studies, rhetoric, [4] [5] archaeology, sociology, human geography, anthropology, psychology, and organizational studies ...
Digital repatriation is the return of cultural heritage items in a digital format to the communities from which they originated. The term originated from within anthropology and typically referred to the creation of digital photographs of ethnographic material, which would then be made available to members of the originating culture. [1]