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Ampeg ("amplified peg") [1] [2] is a manufacturer best known for its bass amplifiers. Originally established in 1946 in Linden, New Jersey by Everett Hull and Stanley Michaels as "Michael-Hull Electronic Labs," today Ampeg is part of the Yamaha Guitar Group.
Disillusioned, [3] he left in 1967 when the company was being sold to Magnavox. [1] [5] When Fischer set out on his own, he started building boutique amplifiers with custom wood cabinets, rare new old stock (NOS) components, and custom-built transformers. His early clients included Mark Knopfler and Eddie Van Halen. He made the first Trainwreck ...
The first amp in Ampeg’s Portaflex series was the B-15, a 2-channel tube amplifier with per-channel volume controls and shared Baxandall-type tone control, housed within a ’flip-top’ tuned-port cabinet design mounted to a dolly. Shortly after the B-15’s introduction in 1960, it became the most popular bass amp in the world.
The Acoustic 360 was a "200-watt, solid state head designed to drive the 361 cabinet, a rear-firing 18” speaker enclosure". [1] The engineers who designed the amp and cabinet in 1967, Harvey Gerst and Russ Allee, mounted the 18" speaker in a folded horn enclosure; the 360 amp had a built-in fuzz bass effects unit. [2]
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
Jess Oliver (born Oliver Jespersen) (January 20, 1926 – June 30, 2011) [1] was a musician, an inventor, electrician and amplifier repairman best known as the vice-president of Ampeg and patent holder for many of Ampeg's most successful products, most notably the Portaflex B-15.
The US brand Ampeg imported British-made Burns guitars for a short time prior to the Baldwin takeover. Apart from the pickguard badge ('Ampeg by Burns of London') these were exactly the same as their British counterparts. [5] The company was renamed Baldwin-Burns (latterly Baldwin) and released three amplifiers at the June 1965 NAMM Convention. [2]
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
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