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The stanza has also been known by terms such as batch, fit, and stave. [2] The term stanza has a similar meaning to strophe, though strophe sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. [3] Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used.
“Ode to a Nightingale” is an example. Rondeau–A fixed form used in light or witty verses. It consists of fifteen octo- or decasyllabic lines with three stanzas and two rhymes applied throughout. A word or words from the initial segment of the first line are used as a refrain to end the second and third stanza to create a rhyme scheme.
In many forms of poetry, stanzas are interlocking, so that the rhyming scheme or other structural elements of one stanza determine those of succeeding stanzas. Examples of such interlocking stanzas include, for example, the ghazal and the villanelle, where a refrain (or, in the case of the villanelle, refrains) is established in the first ...
Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either by units of rhythm or repeating aural patterns in recitation that can also be marked by other features such as rhyme or alliteration, or by patterns of ...
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.
The favoured tail rhyme stanza forms, too, also shortened, with fewer examples of the twelve- and sixteen-line tail rhyme stanzas that had proved successful in Middle English. [16] From the sixteenth to the nineteenth century, the most popular tail rhyme stanza was AABCCB, with the main lines in tetrameter and the B-lines in either trimeter or ...
An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology.
Williams referred to the prosody of triadic-line poetry as a "variable foot", a metrical device to resolve the conflict between form and freedom in verse. [4] Each of the three staggered lines of the stanza should be thought of as one foot, the whole stanza becoming a trimeter line. [5]