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By the early seventies, Jones was a much more nuanced singer than he had been a decade earlier, and "Sometimes You Just Can't Win," which rose to #10 on the charts, was a prime example of how his singing could be, at times, frightening in its intensity. The song, a suicidal lament about unrequited love, begins softly with gently picked mandolin:
In Clayton-Thomas's 2010 autobiography, Blood, Sweat and Tears, he wrote that the Joni Mitchell song "The Circle Game" inspired some of the lyrics. They lived across the hall from one another in Yorkville, the bohemian rock music epicenter of Toronto similar to Greenwich Village in Manhattan at the same time. He claimed a long-unrequited crush ...
Nearly 30 years after hit ballad "End of the Road," Boyz II Men are as romantic as ever, spilling on love for USA TODAY's The Essentials.
The supposed death of the love song is "why most people don't fall in love anymore, don't want to be in love, or whatever the deal is," Nathan says. ... I'll Make Love to You," Boyz II Men have ...
Torch-singing is more of a niche than a genre and can stray from the traditional jazz-influenced style of singing; the American tradition of the torch song typically relies upon the melodic structure of the blues. [2] Examples of a collection are Billie Holiday's 1955 album Music for Torching and Entre eux deux by Melody Gardot and Philippe Powell.
Under the Streetlight debuted at number 58 on the US Billboard Current Album Sales chart in the week ending November 11, 2017. [1] The album failed to enter the US Billboard 200 and the Top R&B/Hip-Hop Albums chart, becoming the band's first album to miss both charts.
A new TikTok trend is allowing people to share their kookiest crushes in a creatively comedic way. TikTokers have been recording themselves gathered around a cake with prepared cutouts of their ...
"Teardrops on My Guitar" is a song by the American singer-songwriter Taylor Swift, who wrote it with Liz Rose. In the US, Big Machine Records released the track to country radio on February 20 and pop radio on November 9, 2007, making it the second single from Swift's debut studio album, Taylor Swift (2006).