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In 1995, Shirley Kwan recorded a dream pop rendition of Teng's 1980 Cantonese single "Forget Him" (忘記他), which was featured in the Wong Kar-wai's film Fallen Angels. In 1997, " Toki no Nagare ni Mi o Makase " was ranked number 16 in a survey of the 100 greatest Japanese songs of all time conducted by Japan Broadcasting Corporation (NHK ...
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Cantonese-language songs" The following 12 pages are in this category, out ...
Guangdong music, also known as Cantonese music (廣東音樂 Jyutping: gwong2dung1 jam1ngok6, Yale: gwóng-dūng yām-ngohk, Pinyin: Guǎngdōng yīnyuè) is a style of traditional Chinese instrumental music from Guangzhou and surrounding areas in Pearl River Delta of Guangdong Province on the southern coast of China.
Music of Guangdong is a synthesis of a number of local Guangdong folk music styles.. In modern times, the Chinese province of Guangdong has become known for Guangdong music (later Guangdong folk tunes), a synthesis of a number of local folk music styles (like kunqu opera), intended as an accompaniment for the region's folk operas when it arose along the Pearl River Delta in the 1920s.
Yat sang ho kau (Chinese: 一生何求; Jyutping: Jat1 sang1 ho4 kau4; pinyin: Yīshēng hé qiú) is a Cantonese-language Hong Kong album by Danny Chan, released by Warner Music (WEA) in June 1989. The title track became one of the top ten songs in the 1989 RTHK Top 10 Gold Songs Awards . [ 1 ]
The Chinese pop song "Drizzle" was composed by Li Jinhui around 1927 and sung by his daughter Li Minghui. [6] [7] [8] The song exemplifies the early shidaiqu in its fusion of jazz and Chinese folk music – the tune is in the style of a traditional pentatonic folk melody, but the instrumentation is similar to that of an American jazz orchestra. [9]
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Private Corner is a studio album by Hong Kong singer Jacky Cheung, known as God of Songs and one of the Four Heavenly Kings. [1] It is the first jazz album of Cantopop, [2] a concept album recorded in the style of "Canto-jazz", coined by Cheung to describe the new musical sound of the songs.