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The Danny Seth-directed music video was recorded in 21 Savage's city of birth, London. [9] Beginning the video by showing stereotypical locations in London like the Big Ben, the London Eye, and the iconic Red telephone boxes before switching the setting to Brixton, a working-class district in South London, to show viewers who criticized him for being British-born the 'real' London.
"Redrum" (Sorana and David Guetta song), 2022 single by Romanian singer Sorana and French disc jockey David Guetta "Redrum" (21 Savage song), 2024 single by British-American rapper 21 Savage "Redrum", a song from Esham's 2000 compilation album Bootleg: From the Lost Vault, Vol. 1 "Redrum", a song from Skepta's 2019 album Ignorance Is Bliss
Savage Mode is a collaborative extended play by British-American rapper 21 Savage and American record producer Metro Boomin. It was released on July 15, 2016. It was released on July 15, 2016. It features a sole guest appearance by American rapper Future .
"10 Freaky Girls" is a song by American record producer Metro Boomin featuring Atlanta-based rapper 21 Savage. It was released on November 2, 2018 as a track from Metro Boomin's debut studio album Not All Heroes Wear Capes (2018). The song contains a sample of "Are You the Woman" by Kashif and Whitney Houston. [1]
Without Warning is a collaborative studio album by British-American rapper 21 Savage, American rapper Offset, and American record producer Metro Boomin.The album was released on October 31, 2017, by Slaughter Gang, Epic Records, Capitol Records, Motown, Quality Control Music, Boominati Worldwide, and Republic Records.
It should only contain pages that are 21 Savage songs or lists of 21 Savage songs, ... Redrum (21 Savage song) Rich Flex; ... Code of Conduct;
Major Distribution (Drake and 21 Savage song) Mr. Right Now; Money Convo; Monster (21 Savage song) Murder (YoungBoy Never Broke Again song) My Choppa Hate Niggas; My Dawg (21 Savage and Metro Boomin song) My Life (J. Cole, 21 Savage and Morray song)
Jon Caramanica of The New York Times opined that the song is among 21 Savage's "best and most fully realized songs to date." [9] Reviewing the album, Sheldon Pearce of Pitchfork expressed that the song's production's "clean minimalism is one of the surprises", while lyrically its makes "the same banal comment about an increased cash flow," along with the tracks "Dead People" and "Money Convo".