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One of the most frequent complaints was that, of the 100, only 21 were by women. One reviewer desired Elizabeth Gaskell's Mary Barton, Harriet Beecher Stowe's Uncle Tom's Cabin, Erica Jong's Fear of Flying, Margaret Atwood's A Handmaid's Tale, books by Eudora Welty, Carson McCullers, Willa Cather and Margaret Kennedy.
The highest-ranked book on the list was the Elena Ferrante novel My Brilliant Friend published in 2012. Authors Ferrante, Jesmyn Ward, and George Saunders each had three books on the list, the most of any author.
This is a list of English-language novels that multiple media outlets and commentators have considered to be among the best of all time. The books included on this list are on at least three "best/greatest of all time" lists.
War novel stubs (11 C, 103 P) Pages in category "War novels" The following 23 pages are in this category, out of 23 total. This list may not reflect recent changes. ...
Captive Women: 1952 Day the World Ended: 1955 Teenage Caveman: 1958 On the Beach: 1959 Nevil Shute (novel); John Paxton (screenplay) The World, the Flesh and the Devil: 1959 The Time Machine: 1960 H. G. Wells (novel); David Duncan (screenplay) The Last War: 1961 The Day the Earth Caught Fire: 1961 The Creation of the Humanoids: 1962 La jetée ...
A list of the ten best graphic novels of the period was subsequently published as a supplement to the list. [3] Watchmen (1986) by Alan Moore and Dave Gibbons appears on both the 100 Best Novels and 10 Best Graphic Novels lists, giving the combined lists a total of 109 entries.
Catch-22 is a satirical war novel by American author Joseph Heller.It was his debut novel.He began writing it in 1953; the novel was first published in 1961. Often cited as one of the most significant novels of the twentieth century, [3] it uses a distinctive non-chronological third-person omniscient narration, describing events from the points of view of different characters.
Reviews for A Thousand Ships were generally positive, with reviewers praising the writing style and the feminist recentering of classic myths.Publishers Weekly called the novel "an enthralling reimagining" and wrote "Haynes shines by twisting common perceptions of the Trojan War and its aftermath in order to capture the women’s experiences". [10]