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Francisco Goya: "The Name of God", YHWH in triangle, fresco detail. The Adoration of the Name of God (Spanish: Adoración del nombre de Dios) or The Glory (Spanish: La gloria) (1772) is a fresco painted by Francisco Goya on the ceiling of the cupola over the Small Choir of the Virgin in the Basílica de Nuestra Señora del Pilar in Zaragoza.
The paintings in the central apse of Sant Climent in Taüll are the most emblematic in the Museum’s collection of Romanesque art and make up one of the most representative and one of the finest works of Romanesque art. The central theme of the apse is a Theophany, or vision of God, at the end of time, based mainly on the text of Revelation.
Prometheus (Spanish: Prometeo) is a fresco by Mexican muralist José Clemente Orozco [4] depicting the Greek Titan Prometheus stealing fire from the heavens to give to humans. [2] It was commissioned for Pomona College's Frary Dining Hall and completed in June 1930, [4] becoming the first modern fresco in the United States.
The Ecce Homo (Latin: "Behold the Man") in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art. [1]
The Southern apse from Pedret is a Romanesque fresco painting from late 11th century or the beginning of the 12th century, which was acquired during the 1919-1923 campaign of the Junta de Museus. The artwork originated from the southern apsidiole of the Church of Sant Quirze de Pedret and is currently exhibited in the Romanesque Art collection ...
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The Arlanza gryphon, fresco transferred to canvas, 189.5 × 322 cm, c. 1210, MNAC, Barcelona. The paintings from Arlanza are a set of frescos belonging to the mural decoration of a Benedictine monastery of San Pedro de Arlanza, in the Province of Burgos, Castile and León, Spain, dating to around 1210, and now dispersed among a number of collections.
Notable examples include works by Taddeo Gaddi, Bernardo Daddi and Nardo di Cione, but the fresco by Piero della Francesca in the Museum of Monterchi, in the province of Arezzo, is considered the most famous one. The Madonna was portrayed standing, alone, often with a closed book on her stomach, an allusion to the Incarnate Word.