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Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
1. Irish folk song 2. music by Harold Arlen 3. music by George Gershwin 4. music by Akira Nakada (中田章) 5. music by Joseph Kosma 6. music by Charles Crozat Converse 7. music by Sammy Fain 8.~11. music by The Beatles: Paul McCartney and John Lennon 12. music by Pierre De Geyter: Chamber music: 1975
Orpheus, the Greek hero whose songs could charm both gods and wild beasts and coax the trees and rocks into dance, has achieved an emblematic status as a metaphor for the power of music. [1] The following is an annotated list of operas (and works in related genres) based on his myth.
[70] Hadlock observes that although the best-known music in the opera is "driven by the propulsive energies of Rossinian comedy" and the up-tempo galop, such lively numbers go side by side with statelier music in an 18th-century vein: "The score's sophistication results from Offenbach's intertwining of contemporary urban musical language with a ...
Offenbach by Nadar. Jacques Offenbach (/ ˈ ɒ f ən b ɑː x /; [n 1] 20 June 1819 – 5 October 1880) was a German-born French composer, cellist and impresario.He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann.
The best known of his songs is "The Lost Chord" (1877, lyrics by Adelaide Anne Procter), written at the bedside of his brother during Fred's last illness. [76] The sheet music for his best-received songs sold in large numbers and was an important part of his income. [77] [n 12] Caricature of Sullivan as a conductor, c. 1879
Music for Flute, Strings, and Percussion is a piece written by Sofia Gubaidulina in 1994 dedicated to Pierre-Yves Artaud. The instruments are divided into two sections, one of which is tuned a quarter-tone lower than the other. [1] Gubaidulina (2001) describes, "in this way the potential of treating both halves as 'light' and 'shadow' emerges."
He was the editor of the first collection of Scottish folk songs published together with their melodies. This is a folio named Orpheus Caledonius, a collection of the best Scotch songs set to Musick, entered at Stationers' Hall on 5 January 1725. The book consists of 50 songs with their airs, along with a simple accompaniment.
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