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Summarization (also referred to as summary, narration, or narrative summary) is the fiction-writing mode whereby story events are condensed. The reader is told what happens, rather than having it shown. [6] In the fiction-writing axiom "Show, don't tell" the "tell" is often in the form of summarization. Summarization has important uses:
In music theory, the term mode or modus is used in a number of distinct senses, depending on context.. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors.
MOD is a computer file format used primarily to represent music, and was the first module file format. MOD files use the “.MOD” file extension , except on the Amiga which doesn't rely on filename extensions; instead, it reads a file's header to determine filetype.
Paul Jobling and David Crowley argued that the definition of mod can be difficult to pin down, because throughout the subculture's original era, it was "prone to continuous reinvention." [ 10 ] They claimed that since the mod scene was so pluralist, the word mod was an umbrella term that covered several distinct sub-scenes.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Relating to music produced by instruments, as opposed to electric or electronic means ad libitum (commonly ad lib; Latin) At liberty (i.e. the speed and manner of execution are left to the performer. It can also mean improvisation.) adagietto Fairly slowly (but faster than adagio) adagio Slowly adagissimo Very, very slowly affannato, affannoso ...
A more famous example from around the same time is the third movement of Ludwig van Beethoven's String Quartet No. 15 in A minor, Op. 132 (1825), titled by the composer "Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart" ("Holy Song of Thanksgiving by a Convalescent to the Divinity, in the Lydian Mode"). [6]
The ♭ VII–I cadence with ♭ VII substituting for V is common, as well as ♭ II–I, ♭ III–I, and ♭ VI–I. [11] In popular music, the major triads on the lowered third (♭ III), sixth (♭ VI) and seventh (♭ VII) scale degrees are common. Borrowed chords have typical inversions or common positions, for example ii o 6 and ii ø 6