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Oscar Fingal O'Fflahertie Wills Wilde [a] (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular and influential playwrights in London in the early 1890s. [3]
The Picture of Dorian Gray is a philosophical fiction and gothic horror novel by Irish writer Oscar Wilde.A shorter novella-length version was published in the July 1890 issue of the American periodical Lippincott's Monthly Magazine.
1999 saw the publication of Oscar Wilde on Stage and Screen by Robert Tanitch. This book is a comprehensive record of Wilde's life and work as presented on stage and screen from 1880 until 1999. It includes cast lists and snippets of reviews. In 2000 Barbara Belford, a professor at Columbia University, published Oscar Wilde: A Certain Genius.
This is a bibliography of works by Oscar Wilde (1854–1900), a late-Victorian Irish writer. Chiefly remembered today as a playwright, especially for The Importance of Being Earnest, and as the author of The Picture of Dorian Gray; Wilde's oeuvre includes criticism, poetry, children's fiction, and a large selection of reviews, lectures and journalism.
The book contains a timeline of Oscar Wilde's life, includes some of his drawings and his famous letter to his lover, Lord Alfred Douglas, known as De Profundis. Expurgated editions of De Profundis had been published by Wilde's literary executor Robbie Ross from 1905, but the 1962 edition published by Rupert Hart-Davis was the first full and ...
The Ghost of Canterville (1965–1966) is an opera by the Russian composer Alexander Knaifel to a libretto by Tatiana Kramarova based on Wilde's story. Das Gespenst von Canterville , television opera in 1 act, music by Heinrich Sutermeister, after Oscar Wilde's The Canterville Ghost, 6 September 1964, Mainz, ZDF
The cover of the first edition. Lord Arthur Savile's Crime and Other Stories is a collection of short semi-comic mystery stories that were written by Oscar Wilde and published in 1891.
Wilde's story may have been an influence on John Masefield, whose book Shakespeare and Spiritual Life (1924) suggests that the Fair Youth was an actor who was delicate and small enough to play parts such as the boy-servant Moth in Love's Labours Lost and the sprite Ariel in The Tempest. He believed that he may even have been a kind of symbol to ...