Search results
Results from the WOW.Com Content Network
Tinikling is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
The dance is intended to impress the viewers with the great skill of the dancers. In some "Filipino Martial Arts" (FMA) circles, it is noted that the Maglalatik "consists of a trapping and boxing method hidden in a dance." The name of the dance means "latik-maker", from latik, a coconut product that is used in Filipino cooking.
Itik-itik is a mimetic folk dance in the Philippines that mimics the movement of ducks. [1] It originated in Cantilan, Surigao del Sur [1] in the Philippines. Itik-itik was discovered in this town by National Artist for Dance Francisca Reyes-Aquino.
Leonor Orosa-Goquingco also had native elements in her dances like Noli Dance Suite and Filipinescas: Philippine Life, Legend and Lore in Dance, which had mixed ballet and folk dances into one performance. Due to this trend, many other writers and dancers continued to connect this Western dance style with native influences, motifs, and even ...
Pandanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines. The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period. The dance is accompanied by castanets. [1] This dance, together with the Jota, became popular among the illustrados or the upper ...
The binasuan is a Filipino folk dance in which the performer holds full wine glasses in each hand while performing balancing tricks. Wine may be used to fill the glasses, but other liquids may be substituted.
The Ramon Obusan Folkloric Group (ROFG) was founded in 1972, and started out as a fledgling folk dance company composed of some thirty performers. [1] Leaning on the vast amount of data and artifacts that he has accumulated while doing research over the years, Ramon Obusan [2] thought of starting a dance company that would mirror the traditional culture of the Philippines through dance and music.
The success of the dance troupe resulted in invitations for the group to perform in other parts of Tacloban and eventually the rest of the country and the world. [ 2 ] Philippine President Diosdado Macapagal designated the dance troupe as Official Cultural Ambassadors of the Philippines to the United States for 1965.