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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
African art is produced using a wide range of materials and takes many distinct shapes. Because wood is a prevalent material, wood sculptures make up the majority of African art. Other materials used in creating African art include clay soil. Jewelry is a popular art form used to indicate rank, affiliation with a group, or purely aesthetics. [16]
With the 1994 exhibition of East African art objects in Germany, the organisers wanted to make "a previously unknown rich cultural landscape accessible to the wider public." The presentation of the sculptures as works of art from Africa was supplemented by art-historical and ethnological information in the accompanying catalogue. [7]
Olowe of Ise (Yoruba: Ọlọ́wẹ̀ of Ìsẹ̀; c. 1873 – c. 1938) [1] [2] is considered by Western art historians and collectors to be one of the most important 20th century artists of the Yoruba people of what is today Nigeria. [3] [4] [5] He was a wood sculptor and master innovator in the African style of design known as oju-ona.
The myriad forms of African art are components of some of the most vibrant and responsive artistic traditions in the world and are integral to the lives of African people. Created for specific purposes, artworks can reveal their ongoing importance through physical transformations that enhance both their appearance and their potency. Many ...
Modern Makonde art is an integration of dated practices of woodwork met with a demand of artistic woodcarving of the modernized world. After the introduction of road systems in the plateaus between Tanzania and Mozambique by Portuguese troops during World War I, the traditional sense of the practice began to shift to meet new social and economic demands. [3]
In Sightlines, however, Thompson presents African art as valuable in its own right, offering thoroughly researched facts pertaining to each object’s era and place of origin, and—most ...
The Armory Show and its promotion of Modernism also helped create a taste and a market for African art in New York. [5] Notably, in 1914 two New York galleries introduced African sculpture to their audiences: Robert J. Coady’s newly opened Washington Square Gallery and Alfred Stieglitz's well-established Little Galleries of the Photo ...