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The Structure of Literature is a 1954 book of literary criticism by Paul Goodman, the published version of his doctoral dissertation in the humanities.The book proposes a mode of formal literary analysis that Goodman calls "inductive formal analysis": Goodman defines a formal structure within an isolated literary work, finds how parts of the work interact with each other to form a whole, and ...
A story of romantic love, esp. one which deals with love in a sentimental or idealized way; a book, film, etc., with a narrative or story of this kind. Also as mass noun: literature of this kind. Overlap is also sometimes found between the above terms, when literary romance also contains a strong love interest.
Chiastic structure, or chiastic pattern, is a literary technique in narrative motifs and other textual passages. An example of chiastic structure would be two ideas, A and B, together with variants A' and B', being presented as A,B,B',A'. Chiastic structures that involve more components are sometimes called "ring structures" or "ring compositions".
Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, or the deepest interpersonal affection, to the simplest pleasure. [1] An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love of food.
The term philology is derived from the Greek φιλολογία (philología), [7] from the terms φίλος (phílos) 'love, affection, loved, beloved, dear, friend' and λόγος (lógos) 'word, articulation, reason', describing a love of learning, of literature, as well as of argument and reasoning, reflecting the range of activities included under the notion of λόγος.
William Wordsworth (pictured) and Samuel Taylor Coleridge helped to launch the Romantic Age in English literature in 1798 with their joint publication Lyrical Ballads. In English literature, the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley and the much older ...
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
A love letter has no specific form, length, or writing medium; the sentiments communicated, and how, determine whether a letter is a love letter or not. The range of emotions expressed can span from adulation to obsession, and include devotion, disappointment, grief and indignation, self-confidence, ambition, impatience, self-reproach and ...