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Oak-slat trunks incorporating many construction-styles (e.g. dome-top, flat-top, beveled-top) were built on a wooden frame, where the malletier would fit thin oak slats vertically side-by-side until the entire trunk was covered. To a Victorian, this would show the complexity of the trunk and astuteness of the malletier, and was an indication of ...
Certain voices have made public their concern about the overexploitation and decline of the linaloe population, [7] in part related to the artisan production of Olinalá according to INIFAP. [8] The linaloe wood is highly valued for the manufacture of olinalá for its characteristic fragrance. Other woods such as red cedar or ayacahuite are ...
Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).
In the late 1600’s trunks were constructed in America. These trunks were assembled out of different kinds of wood and often covered with animal hides from horses, cows and deer. [citation needed] American made hide covered trunks grew in popularity in the 1700’s and started to become more adorned to enhance the appearance. This included ...
Woods such as olive wood were used to make furniture in ancient Israel. Other materials were still used. Ivory was a particularly common resource. It was used to make wardrobes and round lace-like openwork plaques. Ivory was used to make inlaid furniture in Samaria. They would also have patterns of colored paste with precious stones coated with ...
Although marquetry is a technique separate from inlay, English marquetry-makers were called "inlayers" throughout the 18th century. In Paris, before 1789, makers of veneered or marquetry furniture (ébénistes) belonged to a separate guild from chair-makers and other furniture craftsmen working in solid wood (menuisiers).
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