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The gold frame is normally an automatic attachment to a ribbon decoration. In certain cases, however, awards may be issued both with and without the gold frame depending upon the level of achievement. Such is the case in the United States Air Force which denotes the gold frame as a "gold border".
The name Konark (Koṇarka) derives from the combination of the Sanskrit words Koṇa (corner or angle) and Arka (the sun). [9] The context of the term Kona is unclear, but probably refers to the southeast location of this temple either within a larger temple complex or in relation to other sun temples on the subcontinent. [12]
Detail of a panolong with a naga motif, from the National Museum of Anthropology. Okir, also spelled okil or ukkil, is the term for rectilinear and curvilinear plant-based designs and folk motifs that can be usually found among the Moro and Lumad people of the Southern Philippines, as well as parts of Sabah.
The rest of the page is often decorated with dense designs of plants and animals in a muted grisaille, often gold and brown; text pages without miniatures often also have such borders. In later manuscripts, elements of the miniature begin to expand beyond the frame, which may disappear on one side of the image, or be omitted completely. [9]
A doufang(斗方) is a single character written on a square oriented so that its angles point to the four cardinal points. Owing to the limited space, this type of fai chun only displays one character, such as chun (春; spring), man (滿; full, abundant), shou (壽； longevity), or fu (福; good fortune).
Download as PDF ; Printable version; In other projects ... 'Paata' is the wooden frame that forms the base for the idols. ... The process begins with prayers to ...
In conjunction with gold jewellery, Egyptians used coloured glass, along with semi-precious gems. The colour of the jewellery had significance. Green, for example, symbolised fertility. Lapis lazuli and silver had to be imported from beyond the country's borders. Egyptian designs were most common in Phoenician jewellery.
Nonetheless, unlike those Hindu images which repeat an idealized stereotype, these images are treated with great realism and originality because they depict living models: the king and his court. The true social function of Khmer art was, in fact, the glorification of the aristocracy through these images of the gods embodied in the princes. In ...
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