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Hired by mistake, George Martin is hired as director of a secret orbital station (Operation SOS) housing sub-development, where he and his family have to live as an experiment started by Krach. Traditional The Babaloos N/A 1995–1998 Moonscope: The show is about a group of home appliances that live in a suburban house. Traditional Les blagues ...
Innocents with Dirty Hands a.k.a. Dirty Hands, or in the original French Les innocents aux mains sales, is a 1975 psychological thriller film written and directed by Claude Chabrol from a novel The Damned Innocents by Richard Neely.
Going Places is a 1974 French comedy-drama film co-written and directed by Bertrand Blier, and based on his own novel.Its original title is Les Valseuses, which translates into English as "the waltzers", a vulgar French slang term for "the testicles". [2]
French Fried Vacation 2 (Les Bronzés font du ski) is a classic 1979 French comedy directed by Patrice Leconte. It is a sequel to Les Bronzés (1978), and it was followed by Les Bronzés 3: Amis pour la vie (2006).
Wild Reeds (French: Les Roseaux sauvages) is a 1994 French drama film directed by André Téchiné about the sexual awakening of four teenagers and their subsequent sensitive passage into adulthood at the end of the Algerian War. The film was selected as the French entry for the Best Foreign Language Film at the 67th Academy Awards, but not ...
The Chorus (French: Les Choristes, pronounced [le kɔʁist], lit. ' The Choristers ' ) is a 2004 German-French-Swiss musical drama film directed by Christophe Barratier . Co-written by Barratier and Philippe Lopes-Curval , it is an adaptation of the 1945 film A Cage of Nightingales ( La Cage aux rossignols ).
La Famille Bélier (released as The Bélier Family in Australia) is a 2014 French-Belgian coming-of-age comedy-drama film directed by Éric Lartigau. [3] The film received six nominations at the 40th César Awards, winning Most Promising Actress for Louane Emera. [4]
Elsewhere he described the talking picture as "a redoubtable monster, an unnatural creation, thanks to which the screen would become poor theatre, the theatre of the poor". [2] It was therefore an irony that it was Clair who would produce the French cinema's first big international success with a sound picture in Sous les toits de Paris.