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The bongo (Tragelaphus eurycerus) is a large, mostly nocturnal, forest-dwelling antelope, native to sub-Saharan Africa. Bongos are characterised by a striking reddish-brown coat, black and white markings, white-yellow stripes, and long slightly spiralled horns. It is the only tragelaphid in which both sexes have horns. Bongos have a complex ...
The Milwaukee County Zoo's herd of Eastern bongos — a type of antelope — has grown by two over the past few months, according to a news release.. Groot, a 5-year-old male Eastern bongo ...
The macho bongo produces a high pitch, popping like sound and is referred to as the male bongo. [23] In contrast, the hembra bongo is considered the female of the pair and produces low, deep sounds. [23] The congas and bongos originated in Cuba among African slaves and are key instruments of the afro-Caribbean music genre. [23]
The Jacksonville Zoo's herd of the critically endangered eastern bongo species recently had a new arrival, the second calf born there this year.
Bongos originated in eastern Cuba at the end of the 19th century, possibly from a pair of larger drums such as the bokú. These older, larger bongos are known as bongó del monte and played in changüí. The smaller bongos used in son cubano were popular across Cuba by the 1910s and reached the concert halls of the eastern United States in the ...
John Rodríguez Jr. (September 11, 1945 – August 17, 2024), better known as Johnny "Dandy" Rodríguez, was an American bongo player of Puerto Rican descent. He was the long-time bongosero for Tito Puente, and also played with Tito Rodríguez, Ray Barretto and Alfredo de la Fe.
He visited Havana three times in the 1940s and learned to play Afro-Cuban rhythms on the bongos and congas. Costanzo started as a dancer, touring as a team with his wife before World War II . After his discharge from the Navy, he worked as a dance instructor at the Beverly Hills Hotel , where Latin band leader Bobby Ramos heard Costanzo playing ...
The horn line style introduced in "Chékere-son" is heard today in Afro-Cuban jazz, and the contemporary popular dance genre known as timba. Another important Irakere contribution is their use of batá and other Afro-Cuban folkloric drums. "Bacalao con pan" is the first song recorded by Irakere to use batá.