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Karate terms come almost entirely from Japanese. The following terms are not exclusive to karate. They appear during its study and practice, varying depending on style and school. Karate terms include:
Gōjū-ryū (剛柔流), Japanese for "hard-soft style", is one of the main traditional Okinawa styles of karate, featuring a combination of hard and soft techniques.. Gō, which means hard, refers to closed hand techniques or straight linear attacks; jū, which means soft, refers to open hand techniques and circular movements.
Karate kata are executed as a specified series of a variety of moves, with stepping and turning, while attempting to maintain perfect form. The kata is not intended as a literal depiction of a mock fight, but as a display of transition and flow from one posture and movement to another, teaching the student proper form and position, and ...
Kata originally were teaching and training methods by which successful combat techniques were preserved and passed on. Practicing kata allowed a company of persons to engage in a struggle using a systematic approach, rather by practicing in a repetitive manner the learner develops the ability to execute those techniques and movements in a natural, reflex-like manner.
age-uke: rising block; empi uke: elbow block (e.g. in the kata, Heian sandan) gedan barai: sweeping low block; gedan morote barai: double sweeping low block (usually while going into kiba Dachi)
Oss also Osu (Japanese: おす or おっす) is a casual greeting in Japanese typically associated with male practitioners of Japanese martial arts such as karate, kendo, and judo. [1] [2] "Oss!" is used outside Japan by some practitioners of Japanese martial arts and derived systems, e.g. Brazilian jiu-jitsu. [1]
Tai sabaki is also the name of a group of kata created by Yasuhiro Konishi under the tutelage of Ueshiba Morihei, the creator of aikido.These kata were named Tai sabaki Shodan, Tai sabaki Nidan and Tai sabaki Sandan and are some of the original kata of Shindo Jinen-ryu style of karate, created by Yasuhiro Konishi.
[4] Different practitioners will learn or discover alternative applications, but the bunkai, like the kata, varies based on the style and the teacher. A single kata posture or movement may be broken into anywhere from a few to a few dozen applications, and the same sequence of kata moves may sometimes be interpreted in different ways resulting ...