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English: The painting of St. Ambrose was initiated by Alvise Vivarini and completed by the Friulian artist Marco Basaiti he placed the inscription in Latinn: Quod Vivarine tua fatali sorte nequisti, Marcus Basitus nobile prompsit opus 1503.
Antonio Vivarini (Antonio of Murano) (active c. 1440 – 1480) was an Italian painter of the early Renaissance-late Gothic period, who worked mostly in the Republic of Venice. He is probably the earliest of a family of painters, which was descended from a family of glassworkers active in Murano .
First work made at the oil painting on wood panel in Venice - 1473. Français : Basilique de San Zanipolo à Venise. Triptyque de St. Zanipolo (restes d’un polyptyque à neuf panneaux dédié à saint Augustin): saint Dominique, saint Augustin et saint Laurent par Bartolomeo Vivarini .
His outline is always hard, and his color good; the figures have much dignified and devout expression. As vivarino means in Italian a goldfinch, he sometimes drew a goldfinch as the signature of his pictures. [1] Luigi or Alvise Vivarini, born c. 1446, painted from 1475 until his death in 1502. It has sometimes been supposed that, besides the ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Giorgione (c. 1477/8–1510), painter, with Titian founded the Venetian school of Renaissance Painting Giovanni d'Alemagna (c. 1411–1450), German painter who worked in Venice Guglielmo dei Grigi (c. 1485–1550), architect and sculptor, designed the Palazzo dei Camerlenghi
Bartolomeo Vivarini: Holy Conversation: −1465 Alvise Vivarini: Madonna with Child, behind Saints Francis & Bernard: −1485 Daniele da Volterra: Portrait of youth: 1540–1560 Pieter de Witte (Pietro Candido) Holy family: 1584–1585 Pieter de Witte (Pietro Candido) Madonna with Child and Young St. John: pre-1585 Gaspar van Wittel
Antonio Ovetari was a Padua notary who, at his death, left a large sum for the decoration of the family chapel in the Church of the Eremitani.The project was carried out by his widow, Imperatrice Ovetari, who, in 1448, commissioned the work to a group of artists, which included the elder Giovanni d'Alemagna, Antonio Vivarini (a Venetian late Gothic painter) and two young Paduans, Niccolò ...