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Hand-colouring with watercolours requires the use of a medium to prevent the colours from drying with a dull and lifeless finish. Before the paint can be applied, the surface of the print must be primed so that the colours are not repelled. This often includes prepping the print with a thin coating of shellac, then adding grit before colouring ...
Nishiki-e (錦絵, "brocade picture") is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu , who produced many nishiki-e prints between 1765 and his death five years later.
The black-and-white Đám cưới chuột. According to the villagers, the making of tranh Đông Hồ painting was dated back to the 11th century during the reign of the Lý dynasty, while researchers propose that craftsmen began to print pictures in Đông Hồ village during the rule of Lê Kính Tông (1600–1619) of the Lê dynasty. [1]
Romare Bearden’s (1912–1988) series of black and white "photomontage projections" is an example. His method began with compositions of paper, paint, and photographs put on boards 8½ × 11 inches. Bearden fixed the imagery with an emulsion that he then applied with hand roller. Subsequently, he enlarged the collages photographically.
Pablo Picasso's painting Guernica (1937) stands as a prominent example. Contemporary American painter Hugo Bastidas has become known for black-and-white paintings that imitate the effect of grisaille and often resemble black-and-white photographs. His medium- and large-scale paintings feature contrasting zones of high and low detail.
Scratchboard or scraperboard or scratch art [1] is a form of direct engraving where the artist scratches off dark ink to reveal a white or colored layer beneath. The technique uses sharp knives and tools for engraving into the scratchboard, which is usually cardboard covered in a thin layer of white China clay coated with black India ink.
Scholars and art critics argue that the black and white photographic style of the painting can be attributed to Maar's own black and white photographs, in stark contrast to Picasso's usual colorful style. [20] Guernica was painted using a matte house paint specially formulated at Picasso's request to have the least possible gloss. [1]
The work is an example of bai hua or "white painting", a monochrome work created using a brush and black ink, with economy of line and some simple shading but no colours. The composition is based on earlier works of Chinese art, but despite its limited materials, "Night-Shining White" does not lose its spirituality and restless energy. The ...
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