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Sonnet 18 (also known as "Shall I compare thee to a summer's day") is one of the best-known of the 154 sonnets written by English poet and playwright William Shakespeare.. In the sonnet, the speaker asks whether he should compare the Fair Youth to a summer's day, but notes that he has qualities that surpass a summer's day, which is one of the themes of the poem.
Milton’s Sonnet 18 is written in iambic pentameter, with ten syllables per line, and consists of the customary 14 lines. Milton's sonnets do not follow the English (Shakespearean) sonnet form, however, but the original Italian (Petrarchan) form, as did other English poets before him (e.g. Wyatt) and after him (e.g. Elizabeth Browning). This ...
The first 126 are addressed to a young man; the last 28 are either addressed to, or refer to, a woman. (Sonnets 138 and 144 had previously been published in the 1599 miscellany The Passionate Pilgrim.) The title of the quarto, Shake-speare's Sonnets, is consistent with the entry in the Stationers' Register. The title appears in upper case ...
He also introduced variations in the proportions of the sonnet, from the 10 1 ⁄ 2 lines of the curtal sonnet "Pied Beauty" to the amplified 24-line caudate sonnet "That Nature is a Heraclitean Fire". Though they were written in the later Victorian era, the poems remained virtually unknown until they were published in 1918.
Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence. In the sonnet , the speaker is not able to adequately speak of his love, because of the intensity of his feelings.
In Sonnet 27 the weary poet cannot find rest — not day or night. He goes to bed weary after working hard, which is the "toil" of line one, and the "travail" of line two. As soon as he lies down, another journey begins in his thoughts ("To work my mind") — the destination is the young man, who is far from where the poet is ("from far where I abide"
— Edna St. Vincent Millay (at the end of a sonnet) On the other hand, because rhyming couplets have such a predictable rhyme scheme, they can feel artificial and plodding. Here is a Pope parody of the predictable rhymes of his era: Where-e'er you find "the cooling western breeze," In the next line, it "whispers through the trees;"
As Sonnet 18 in particular is addressed to some W.H., and Shakespeare was a highly-experienced poet, this, in fact, notionally lends greater credence to his having layered it to some extent to please this equivocal entity.