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Dharamvir Bharati (25 December 1926 – 4 September 1997) was a renowned Hindi poet, author, playwright and a social thinker of India. He was the chief editor of the popular Hindi weekly magazine Dharmayug, [1] from 1960 till 1987.
Both men and women participate in the dance. Men of one village dance with women of another village. Usually unmarried boys and girls take part. The dance is performed during marriage ceremony and more often for the sake of recreation. The dance is named so because of the accompanying instrument called ‘Dhap.’ The dhap is in the shape of a ...
Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
The ladies who perform lavani wear a long sari of length around 9 yards. They form a bun (juda in Hindi or ambada in marathi) with their hair. They wear heavy jewellery that includes thushi (necklace), bormaal, pohehaar, zumka (earrings), Ghungru, kamarpatta (a belt at the waist), bangles, sindoor etc.
Bhangra (Punjabi: ਭੰਗੜਾ) is a type of traditional folk dance of Punjab area of the Indian subcontinent. [1] According to Manuel (2001), bhangra is especially associated with the vernal Vaisakhi festival, performed during harvest season between April and the first quarter of May.
A very old form of dance in the state of Andhra Pradesh that has a lot of religious significance attached to it; is Veeranatyam. This fascinating kind of dance form is also known as Veerangam and Veerabhadra Nrityam. The term ‘Veera’ literally means brave. Thus as the name of the dance form suggests it is the dance of the brave.
Googa Dhamoda a dance form starts at the beginning. With a brief introduction about the play, the performance starts. It consists mainly of mimicry, from which the name of the theater form derives (swaang means disguise or impersonation). Also featured prominently are long question and answer sessions between the actors.
On stage the dance is described as "very intense and high-energy: (1) the music is usually at a faster tempo than the other forms of Garba-Raas discussed previously, (2) dancers are taught a form of fast head-bobbing, (3) manic smiles are pasted on each dancer in order to emphasize enthusiasm to judges".