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"Get Back" is a song recorded by the English rock band the Beatles and Billy Preston, written by Paul McCartney, and credited to the Lennon–McCartney partnership. It was originally released as a single on 11 April 1969 and credited to "The Beatles with Billy Preston". [ 4 ]
The vocals on "Ya Hozna" song are all backwards, although the backing track and guitar are mostly forwards. The vocals are made up of distorted outtakes from "Valley Girl", "Lonely Little Girl", and "Sofa #2". [93] The lyrics sheet reads, "backwards vocal — you figure it out". [33]
The last album The Beatles released was Let It Be in May 1970.. The making of the work was chronicled in the three-part documentary The Beatles: Get Back, which painted a portrait of a band who ...
Although eventually released as a Beatles song, "You Know My Name (Look Up the Number)" was nearly issued as the A-side of a Plastic Ono Band single. Lennon was determined to have this song and " What's the New Mary Jane " (a Beatles outtake from The Beatles sessions recorded by Lennon and Yoko Ono with Harrison in August 1968) released.
In the 50 years since the Beatles split in 1970, seemingly every known scrap of their history has been scrutinized and curated for public consumption — every minute of studio tape, every radio ...
"I'll Be Back" is a song written by John Lennon, [2] [3] with some collaboration from Paul McCartney [4] (credited to Lennon–McCartney). It was recorded by the English rock band the Beatles for the soundtrack album to their film A Hard Day's Night (1964) but not used in the film.
Artists have used backmasking for artistic, comedic and satiric effect, on both analogue and digital recordings. It has also been used to censor words or phrases for "clean" releases of explicit songs. In 1969, rumors of a backmasked message in the Beatles song "Revolution 9" fueled the Paul is dead urban legend. [2]
As with Johns' May 1969 version of Get Back, the Beatles rejected his January 1970 submission of the album. [69] [70] Lennon and Harrison then asked American producer Phil Spector to rework Let It Be. [71] [72] [nb 7] Spector decided to extend the length of "I Me Mine" by repeating the rock-style chorus in the middle of the song and the second ...
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