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In poetry, a couplet (/ ˈ k ʌ p l ə t / CUP-lət) or distich (/ ˈ d ɪ s t ɪ k / DISS-tick) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line ...
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
In Chinese poetry, a duilian (simplified Chinese: 对 联; traditional Chinese: 對 聯; pinyin: duìlián ⓘ) is a pair of lines of poetry which adhere to certain rules (see below). Outside of poems, they are usually seen on the sides of doors leading to people's homes or as hanging scrolls in an interior.
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
There are nine syllables in the first lines, and thirteen syllables in the second. In Pashto, the poem ends on a "ma" or "na" sound. The lines do not generally rhyme. They are thought to be related to shloka. Like the couplets of a ghazal, landai in sequence work "independently and sometimes can be grouped with others according to subject ...
Sonnet 125 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg, although (as discussed below) in this case the f rhymes repeat the sound of the a rhymes.
A tail rhyme stanza is united by intermittent lines which all rhyme with each other but do not rhyme with their immediately adjacent lines. Most commonly, as in the example from Drayton above, but not universally, the uniting tail lines are metrically shorter than the surrounding lines, and are the lines carrying the second rhyme heard in the ...
An example of the use of danda as caesurae in Indian poetry is in the "dohas" or couplet poems of Sant Kabir Das, a 15th-century poet who was central to the Bhakti movement in Hinduism. [7] Kabir employs the danda to mark semi-verse and verse, as in the following couplet: