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To crash, there is a brief prep motion in which the arms move away from each other, before finally dropping the dominant handed cymbal on top of the bottom cymbal. Properly played crashes will be played like a flam where the bottom of the cymbals touch before meeting at the top.
The sound of a crash cymbal. Although crash cymbals range in thickness from paper-thin to very heavy, all crash cymbals have a fairly thin edge. They are typically 14 to 18 inches (36 to 46 cm) in diameter, but sizes down to 8 inches (20 cm) and up to 24 inches (61 cm) are manufactured. Custom crash cymbals up to 28 inches (71 cm) in diameter ...
The most common pack is a starter pack consisting of four cymbals: A 20" ride, a 16" crash and a pair of 14" hi-hats. A second crash or a 10" splash is sometimes added as a promotional bonus. Less common is a three cymbal starter pack consisting of an 18" crash/ride or 16" crash plus a pair of 13" or 14" hi
The swish cymbal and the pang cymbal are exotic ride cymbals originally developed and named as part of the collaboration between Gene Krupa and the Avedis Zildjian Company. The current Zildjian Swish Knocker is a redesign of their original swish, with more rivets, deeper bow and shallower bell, based on a cymbal made famous by Mel Lewis , [ 1 ...
The Avedis Zildjian Company, simply known as Zildjian (/ ˈ z ɪ l dʒ ən,-dʒ i ə n /), [2] is an American musical instrument manufacturer specializing in cymbals and other percussion instruments. Founded by the ethnic Armenian Zildjian family in the 17th-century Ottoman Empire, the company relocated to the United States in the 20th century ...
A crash/ride cymbal is a medium weight, slightly tapered cymbal, normally in the 18–22-inch (460–560 mm) range, designed to serve in a drum kit as both a crash and a ride cymbal. A ride/crash cymbal may be thought to be the same thing, but is actually different. Despite being similar in design and function to a crash/ride, it is slightly ...
A crash cymbal is often accompanied by a strong kick on the bass drum pedal, both for musical effect and to support the stroke. It provides a fuller sound and is a commonly taught technique. In jazz, using the smallest kits and at very high volumes, ride cymbals may be played with the technique and sound of a crash cymbal.
Unfortunately, the metal to metal contact and the playing of the upturned splash rim both decrease the life of the cymbal, particularly at the hands of a beginner. The lower cymbal of the piggyback is often a crash, or less often a ride, but larger splashes and even chinas can be used. The upper cymbal could in theory be any cymbal small enough ...
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