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The mass popularity of instrumental music in the ska and rocksteady eras continued in reggae, producing some of the most memorable recordings of the early reggae era. Cover versions of Motown, Stax and Atlantic Records soul songs remained popular in early reggae, often helping Jamaican artists gain a foothold in foreign markets such as the UK.
Reggae (/ ˈ r ɛ ɡ eɪ /) is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. [1] A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience.
At the time, Brown was mixing dub versions of reggae recordings in his uncle Duke Reid's catalog, and had a different vision for the Flo & Eddie album than they did. The resulting recordings consisted of many of Jamaica's most revered reggae songs, as well as reggae versions of the Ink Spots' "Prisoner of Love", and the Turtles' "Happy Together ...
Through reggae soundscape and the Jamaican Sound System, dub artists were able to creatively manipulate these dubbed out versions or remixes of songs. These dub remixes were heavily influenced with effects, vocal samples , and were essential to the progression of dub.
Dubwise (1981), Music Works – six dub versions from Changes and four other dubs; Reggae Street (1981), Free World Music; The Roots Is There (1982), Music Works/Shanachie; Indestructible (1982), Alligator (similar to the album Changes with two extra songs) Heads of Government (1982), Jah Guidance; Leaders of Black Countries (Showcase Album ...
O'Connor sings cover versions of classic roots reggae songs, with production by Sly and Robbie. The album was recorded in Kingston, Jamaica at Tuff Gong Studios and Anchor Studios in 2004 and released by Chocolate and Vanilla on 4 October 2005.
Disc 2 features dub versions of most tracks and Jamaican artists' versions/adaptations of all songs. An English rendition of "Lola Rastaquouère" sung by producer Bruno Blum is also included on the album, as well as a newly recorded version of "Marilou Reggae" (using the "L'Homme à Tête de Chou" vocal) featuring drummer Leroy "Horsemouth ...
Later in 2014, Canadian reggae fusion band, Magic!, scored a worldwide number-one hit with their single "Rude". [35] It was the beginning of a major resurgence of the genre as this was followed later in 2015 by another number-one reggae fusion song when Jamaican artist OMI claimed the top spot with the Felix Jaehn remix to his song "Cheerleader ...
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