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POD is a series of digital guitar amplifier modelers from Line 6.PODs are designed to digitally simulate amplifiers, as well as cabinet models and effects.All POD variants include headphone outputs and recording ports, and can be used to feed a signal into an amp or directly into a PA system.
The Guitar Rig environment is a modular system, providing capabilities for multiple amplifiers, effects pedals and rack mounted hardware.Primarily designed for electric guitar and bass, the software uses amplifier modeling to allow real-time digital signal processing in both standalone and DAW environments via plug-in (VST/DXi/RTAS/AU).
The pedals all share the same 'footprint', for compatibility with pedal boards. Boss introduced COSM (Composite Object Sound Modeling), Roland's proprietary version of digital modeling technology, into their AC-3 Acoustic Simulator pedal in 2006. Boss has since released several pedals using COSM, including the FBM-1 '59 Fender Bassman pedal and ...
The best-selling synthesizer of all time (with 250,000 units sold worldwide, as a single model). Incredibly realistic sounds made possible by using rich samples of acoustic and electric instruments as initial sound source (vs.simple sine, saw and square waves used before) and applying full synthesizer processing chain (filters, modulators ...
The Acoustic Guitar Pedal was released in 1994, designed for clean guitar work. It is basically a compressor with bass and treble controls. It is intended to make an electric guitar sound more like an acoustic guitar. The Acoustic Guitar Pedal was produced by SR&D and Dunlop. The SR&D version can be identified by its grey button.
A typical Leslie speaker contains an amplifier, a treble horn and a bass speaker—though specific components depend upon the model. A musician controls the Leslie speaker by either an external switch or pedal that alternates between a slow and fast speed setting, known as "chorale" and "tremolo".
The Roland Micro Cube, left, a small and portable digital modeling amplifier. Digital amp modelers Standalone modeling devices such as the Line 6 POD and Fractal Axe-FX digitize the input signal and use a DSP, a dedicated microprocessor, to process the signal with digital computation, attempting to achieve the sound of expensive professional amplifiers in a much less costly and more compact ...
Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song "(I Can't Get No) Satisfaction".
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