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The Joe Pass Epiphone Emperor II is an archtop guitar, like a 175, but with certain unique features which included: [1] Gold-plated hardware; Multiple bound body (top and back), neck, f-holes, and peghead; Laminated spruce top; Maple laminate, hollow body (figured maple veneer) Dual humbuckers; Raised pickguard with facsimile of Joe Pass' signature
Joe Pass uses an Emperor. Epiphone produces a signature model of Pass' guitar. Les Paul used Epiphone guitars for recording from the early 1940s until the late 1950s, even after his signature Gibsons were produced. The Epiphones were highly customized models with his own pickups on them.
Epiphone electric bass guitars (3 P) Pages in category "Epiphone electric guitars" The following 11 pages are in this category, out of 11 total. ... Epiphone Joe Pass ...
Joe Pass (born Joseph Anthony Jacobi Passalacqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. [1] [2] Although Pass collaborated with pianist Oscar Peterson and vocalist Ella Fitzgerald, his status as one of the most notable jazz guitarists of the 20th century is generally attributed to his work on his solo albums, such as Virtuoso.
Following Epiphone's purchase by Gibson in 1957, the lines of both electric and acoustic guitars were considerably revamped, with the introduction of new thinline hollow-body (semi-acoustic) guitars, solidbody electric guitars, and a much improved range of flat-top acoustic guitars, incorporating elements of Gibson's own designs.
Matsumoku also manufactured the nearly identical Univox Coily guitar and several related guitars sold under the Univox brand. Gibson , the owner of Epiphone since the late 1950s, abandoned manufacturing of Epiphone-branded instruments in 1969 and started importing Epiphone-branded instruments from the Matsumoku company in 1970.
Catch Me! is an album by jazz guitarist Joe Pass that was released in 1963. Track listing. No. Title Writer(s) ... Joe Pass – guitar; Clare Fischer – piano, organ;
Those two recordings were the only Pass records where he played a nylon-string guitar exclusively. "We had talked about an all-acoustic album for years," (producer) Eric Miller explains. "I wanted to do the equivalent of what Norman had done with Art Tatum and Joe. We ran tape all of the time, something I had learned to do with him anyway.
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