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Hvorostovsky came to international prominence in 1989 when he won the BBC Cardiff Singer of the World competition, beating local favourite Bryn Terfel in the final round. . His performance included Handel's "Ombra mai fu" and "Per me giunto...O Carlo ascolta" from Verdi's Don Carl
" Ombra mai fu" ("Never was a shade…"), also known as "Largo from Xerxes" or "Handel's Largo", is the opening aria from the opera Serse (1738) by George Frideric ...
I think this is a fine example of the late-period Caruso, as well as being a fine example of the popular use of "Ombra mai fù" for the centuries before the revival of interest in Handel's operas. Nominate and support. Shoemaker's Holiday 03:11, 28 February 2009 (UTC) Support per nom. Durova Charge! 21:35, 2 March 2009 (UTC)
The first act begins with the well-known aria "Ombra mai fu" ("There was never a shadow"). [7] According to Martha Novak Clinkscale, Handel's later, more famous setting "is neither more poignant nor mellifluous than Cavalli's".
The King of Persia, Serse, gives effusive, loving thanks to the plane tree for furnishing him with shade (Arioso: "Ombra mai fu"). His brother Arsamene, with his buffoonish servant Elviro, enters, looking for Arsamene's sweetheart Romilda. They stop as they hear her singing from the summerhouse. Romilda is making gentle fun of Serse with her song.
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"Largo" is the opening aria from Handel's opera Serse (Xerxes), a popular composition titled "Ombra mai fu" but usually nicknamed "Largo" (despite being larghetto). "Laurelei" is a variant spelling of the Lorelei Rhine maiden, so as not to conflict with a song by fellow 4AD artists Cocteau Twins.
Bononcini's Xerse was in turn adapted by Handel in his Serse with a third (and best known) version of "Ombra mai fu". Bononcini's song "Vado ben spesso cangiando loco" was used by Franz Liszt in his suite for piano Années de pèlerinage : Deuxième année: Italie under the erroneous title " Canzonetta del Salvator Rosa ".