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Carriage control tape on an IBM 1403 printer. One channel punch is visible in this photo. A carriage control tape was a loop of punched tape that was used to synchronize rapid vertical page movement in most IBM and many other line printers from unit record days through the 1960s. The tape loop was as long as the length of a single page.
Tape transport with dual pinch rollers - Technics RS-1520. A tape transport is the collection of parts of a magnetic tape player or recorder that move the tape and play or record it. Transport parts include the head, capstan, pinch roller, tape pins, and tape guide. The tape transport as a whole is called the transport mechanism.
The TX-2 Tape System is the direct ancestor of LINCtape, including the use of two redundant sets of five tracks and a direct drive tape transport, but it uses a physically incompatible tape format (½-inch tape on 10-inch reels, where LINC tape and DECtape used ¾-inch tape on 4-inch reels).
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The tape is passed through an inner ring of loose tape reel, where the recording is stored, and looped back through the outer ring of the reel. Initially, this mechanism was to be implemented in a reel-to-reel audio tape recorder. [3] [4] Later, Cousino developed a plastic case that could be hung up on some existing tape recorders. [5]
To indicate an automatic sequence of machine functions repeated continuously without manual intervention. To identify a feature or a selector control that reverses automatically the tape running direction every time the tape comes to either of its limits. Repeat once U+1F502 🔂 — Information: U+2139 ℹ #6222 Information, general; help, general
Another Cousino patented invention was a low-friction, graphite coated back side of the audio tape, [5] suppressing crumpling when pulling the endless tape from the inner reel. The coating was also used on 8-Track tape, giving a gray appearance to the back side of the tape. [6] Cousino died in Lee County, Florida on December 29, 1994 at the age ...
The first dedicated loop device was the Paradis LOOP Delay. [6] The Paradis and other models had volatile memories, forcing composers to develop fresh loops live in front of their audiences — and thus, live looping came into existence. Roland and DigiTech loop pedals entered the market in 2001, around the same time DJ mixing gained popularity ...