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Charles Seltman, a fellow of Queens' College, Cambridge, curator of the Archaeology Museum there and an editor of The Cambridge Ancient History, illustrated a chapter titled "The new woman" in his book Women in Antiquity with a 1950s model wearing an identical bikini against the 4th-century mosaics from Piazza Armerina as part of a sisterhood ...
Ancient Greek women adorned their cleavage with a long pendant necklace called a kathema. [9] The ancient Greek goddess Hera is described in the Iliad to have worn something like an early version of a push-up bra festooned with "brooches of gold" and "a hundred tassels" to increase her cleavage to divert Zeus from the Trojan War . [ 10 ]
Partial nudity of goddesses in Roman Imperial art, however, can highlight the breasts as dignified but pleasurable images of nurturing, abundance, and peacefulness. [ 63 ] [ 64 ] The completely nude female body as portrayed in sculpture was thought to embody a universal concept of Venus , whose counterpart Aphrodite is the goddess most often ...
A Sculptor's Model, by Alma-Tadema, 1877. The statue's subject has variously been interpreted, as the Roman goddess Venus (possibly in the form Venus Anadyomene), as a nude mortal female bather, a female version of the diadumenos tying up the hair with a fillet ().
In modern media, images of partial and full nudity are used in advertising to draw attention. In the case of attractive models this attention is due to the visual pleasure the images provide; in other cases it is due to the relative rarity of such images. The use of nudity in advertising tends to be carefully controlled to avoid the impression ...
Roman attitudes toward female nudity differed from but were influenced by those of the Greeks, who idealized the male body in the nude while portraying respectable women clothed. Partial nudity of goddesses in Roman Imperial art, however, can highlight the breasts as dignified but pleasurable images of nurturing, abundance, and peacefulness.
Valeria, the name of the women of the Valeria gens. Valeria, first priestess of Fortuna Muliebris in 488 BC [1]; Aemilia Tertia (с. 230 – 163 or 162 BC), wife of Scipio Africanus and mother of Cornelia (see below), noted for the unusual freedom given her by her husband, her enjoyment of luxuries, and her influence as role model for elite Roman women after the Second Punic War.
Zurbarán also painted some pictures of Hercules for the Torre de la Parada, commissioned by Velázquez. [118] But undoubtedly the great genius of the Spanish Baroque was Diego Velázquez, painter to Philip IV, whose magnificent production is one of the milestones in the history of art. Velázquez enjoyed great freedom in his work, undoubtedly ...