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Victorian majolica also include Minton's rare tin-glaze products. [8] Toby jug made by Ralph Wood the Younger, Burslem, c. 1782–1795 (Victoria & Albert Museum), coloured lead glazes. Lead-glazed earthenwares in Britain include the Toby jugs, such as those made in the late 18th century by Ralph Wood the Younger at Burslem, Staffordshire.
Goma-dofu (kuzuko pudding with sesame paste) Examples of wagashi (Japanese desserts) with kuzuko: Kuzumochi cakes; Kuzukiri (clear cake of boiled kuzuko cut into noodle-like strips and eaten with kuromitsu) Kuzuzakura (a.k.a. kuzu-dama, a cake of bean paste covered with kuzuko)
Sansai (三彩) is another type of technique using lead glaze. unglazed stoneware (焼き締め陶窓 yakishime tōki ): fired at high temperatures without applying a coat of glaze. In the Middle Ages, it was used for living utensils such as vases, pots and other everyday items, and in the Azuchi-Momoyama period, it was modified for use in tea ...
Kyoto geisha Toshimana holding a Nōh mask, wearing full make-up and a katsura (wig). Oshiroi ( 白粉 ) is a powder foundation traditionally used by kabuki actors, geisha and their apprentices . The word is written with kanji meaning "white powder", and is pronounced as the word for white ( shiroi ) with the honorific prefix o- .
Bread pudding is always made with a variety of spices. Puerto Rican bread pudding is cooked the same as crème caramel with caramel poured into a baking dish and then the pudding mix is poured on top. The baking dish is placed in a bain-marie and then in the oven. [15] In Argentina, Peru, Paraguay, and Uruguay, bread pudding is known as "budín ...
The first Japanese-style kiln in the west was built by Tsuronosuke Matsubayashi at Leach Pottery, St Ives in 1922. [10] Western raku potters rarely use lead as a glaze ingredient, due to its serious level of toxicity, but may use other metals as glaze ingredients. Japanese potters substitute a non-lead frit. Although almost any low-fire glaze ...
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Shino ware tea bowl furisode, Azuchi-Momoyama to Edo period, 16th-17th century Shino incense container (kogo) with sculpted figures of Jurojin with a crane and a tortoise in feldspar glaze by Masaki Sōzaburō, late Edo period, early 19th century Shino ware shallow bowl, Azuchi-Momoyama to Edo period, 16th-17th century Nezumi-Shino ware, square dish with autumn grasses design, Azuchi-Momoyama ...