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The depictions of women in film noir come in a range of archetypes and stock characters, including the alluring femme fatale.A femme fatale (/ ˌ f æ m f ə ˈ t ɑː l / or / ˌ f ɛ m f ə ˈ t ɑː l /; French: [fam fatal], literally "lethal woman"), is a prevalent and indicating theme to the style of film noir.
Lady Killer (French: Gueule d'amour) is a 1937 French drama film directed by Jean Grémillon and starring Jean Gabin, Mireille Balin and Marguerite Deval.It has been classified as both a film noir [1] [2] and an entry into the poetic realist group of films of the late 1930s.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Marked Woman is a 1937 American dramatic crime film directed by Lloyd Bacon and starring Bette Davis and Humphrey Bogart, with featured performances by Lola Lane, Isabel Jewell, Rosalind Marquis, Mayo Methot, Jane Bryan, Eduardo Ciannelli and Allen Jenkins.
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
Woman in the Dark (also released as Woman in the Shadows) is a 1934 American crime drama film directed by Phil Rosen and based on a 1933 short story by Dashiell Hammett. It was filmed at Biograph Studios by Select Pictures and released by RKO Radio Pictures.
Farrell began acting on stage as a child and continued with various theatre companies and on Broadway before signing with Warner Bros. A signature 1930s Warner Bros. star, Farrell appeared in films such as Little Caesar (1931), I Am a Fugitive from a Chain Gang (1932), Mystery of the Wax Museum (1933) and Lady for a Day (1933).
Dishonored Lady (also known as Sins of Madeleine) is a 1947 American film noir crime film directed by Robert Stevenson and starring Hedy Lamarr, Dennis O'Keefe and John Loder. It is based on the 1930 play Dishonored Lady by Edward Sheldon and Margaret Ayer Barnes. Lamarr and Loder were married when they made the film, but they divorced later in ...