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Tumbadoras (conga drums), one of the basic instruments of salsa music. Salsa music is a style of Caribbean music, combining elements of Cuban, Puerto Rican, and American influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin.
Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread. Clave awareness within the salsa community has served as a cultural "boundary marker", creating an insider/outsider dichotomy, between Cuban and non-Cuban, and between Latino and non-Latino.
Latin percussion is a family of percussion, membranophone, lamellophone and idiophone instruments used in Latin music. Instruments. Afro-Cuban and Puerto Rican styles
Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early ...
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
In Cuba and Latin America, timbales (timpani) were adapted into pailas, which is the name given to various Spanish metallic bowls and pans used as cookware (see paila). Paila derives from Old French paele, from Latin patĕlla. [3] However, the term timbales continued to be used to refer to pailas, which is a less common term restricted to Cuba.
Used in chutney music: kartal [7] Trinidad and Tobago: 4 Harmonium, used in chutney: lambis [5] Haiti: 423.11 Conch shell horn, used for signalling saxophone [3] Garifuna music: 4 Used in Garifuna Punta: saxophone [1] Dominican Republic, Cuba, 4 Used in merengue, where it is the main instrumentation for the jaleo. Used in popular Cuban bands ...
The Latin music scene of New York, and the US in general, was primarily constituted by Puerto Ricans, and many influential bongoseros were Puerto Ricans who learned from Cubans. An early example is Rafael "Congo" Castro, who arrived in New York in 1924 and had a long career as a bongosero in Chicago until the 1980s. [ 41 ]
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