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Monthly Anthology, v.1, 1804. Printed by Munroe & Francis, Boston. The Monthly Anthology and Boston Review was a miscellaneous magazine published by the Anthology Club of Boston, Massachusetts, from 1804 to 1811. The more famous North American Review is generally considered to be its successor.
Boston Review is an American quarterly political and literary magazine. It publishes political, social, and historical analysis, literary and cultural criticism, book reviews, fiction, and poetry, both online and in print. Its signature form is a "forum", featuring a lead essay and several responses. [1]
The Aggregate Ranking of Top Universities (ARTU) [52] is a meta-ranking that positions global universities based on World University Rankings by THE, QS, and ARWU. ARTU is produced by UNSW Sydney and published annually since 2019, [ 53 ] with retrospective rankings available for 2012 to 2018. [ 54 ]
The Arts Fuse is an online arts magazine covering cultural events in Greater Boston, as well as Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, Vermont, and New York. The Arts Fuse has published more than 2,000 articles and provides criticism, previews, interviews, and commentary on dance, film, food, literature, music, theater ...
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Bill Marx is a theater critic based in Boston, Massachusetts.Marx served as theater and arts critic for WBUR from 1982 to 2006 [1] and as the host of a podcast dedicated to books in translation for WGBH (FM) and Public Radio International's The World (radio program) from 2007 to 2011.
However, with the death of Emerson in 1811, the Anthology ceased publication. The famous North American Review, which started bimonthly publication in 1815, under the direction of the Anthology Club, is generally considered a revival of the earlier magazine. The Boston Athenæum is an outgrowth of the Anthology Club.
Renaming itself Arts Review in March 1961, the magazine charted the advent of Pop art and the sharper look of ‘New Generation’ sculpture and hard-edge painting, while young critics like Brian Sewell balanced the merits of non-figurative art against socialist realism, and Jasia Reichardt, the assistant editor of the title, [4] looked towards ...