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Edwin Long's Queen Esther. Queen Esther is an 1878 painting by Edwin Long. [1] The painter drew upon travelogue illustrations in the British Museum in order to produce this vision of the biblical Queen Esther in Ahasuerus' palace at Susa. The painting was first displayed in 1878 at the Royal Academy, and is now a part of the collection Pérez ...
Esther Before Ahasuerus is a large painting of 1546–47 by the Venetian painter Tintoretto showing a scene from the Greek addition to the Book of Esther, in which Queen Esther faints during a bold intervention with her husband King Ahasuerus of Persia. In oil on canvas, it measures 207.7 by 275.5 centimetres (81.8 in × 108.5 in).
Queen Esther (painting) T. The Toilette of Esther; The Triumph of Judith with Stories from the Old Testament This page was last edited on 2 May 2024, at 01:03 ...
Esther Before Ahasuerus is a painting by the 17th-century Italian artist Artemisia Gentileschi. It shows the biblical heroine Esther going before Ahasuerus to beg him to spare her people. The painting is now in the Metropolitan Museum of Art in New York, having been donated to the museum by Elinor Dorrance Ingersoll in 1969. [1]
The Toilette of Esther or Esther Preparing to be Presented to King Ahasuerus, is an 1841 oil-on-canvas painting by the French artist Théodore Chassériau.The painting depicts a moment from the scriptural Book of Esther, when Esther prepared to meet King Ahasuerus, ruler of Persia, who subsequently took her as his wife.
The Mont-Saint-Michel Island, depicted in the famous painting of the same name by James Webb in 1857, is a famous tourist destination. Its history dates back to the 8th century. Bishop Aubert ...
Life of Esther or Scenes from the Story of Esther is the title of a series of six panel paintings by the Italian Renaissance painters Sandro Botticelli and Filippino Lippi, showing scenes from the story of Esther and produced in the 1470s.
The painting Ahasveros and Haman at the Feast of Esther is one of the few works of Rembrandt van Rijn whose complete provenance is known. The origin of the painting can be traced back to 1662, two years after its completion. There are only three figures in the picture and the banquet is suggested sketchily.