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McMahon, Darrin M., Enemies of the Enlightenment: The French Counter-Enlightenment and the Making of Modernity details the reaction to Voltaire and the Enlightenment in European intellectual history from 1750 to 1830. Norton, Robert E. "The Myth of the Counter-Enlightenment," Journal of the History of Ideas, 68 (2007): 635–58.
Recurring cultural, political, and theological rejection of evolution by religious groups [a] exists regarding the origins of the Earth, of humanity, and of other life. In accordance with creationism, species were once widely believed to be fixed products of divine creation, but since the mid-19th century, evolution by natural selection has been established by the scientific community as an ...
Recent efforts, such as an online exhibit organized by the Block Museum at Northwestern University (which includes a clickable map of the Wall's individual portraits), [13] and the edited volume, The Wall of Respect: Public Art and Black Liberation in 1960s Chicago (Northwestern University Press, 2017), aim to recover the Wall's history and ...
The Invention of Art: A Cultural History by Larry Shiner is an art history book which fundamentally questions our understanding of art. "The modern system of art is not an essence or a fate but something we have made. Art as we have generally understood it is a European invention barely two hundred years old." (Shiner 2003, p.
Nazi German architecture mixing modernist design with the ancient Swastika symbol.. Reactionary modernism is a term first coined by Jeffrey Herf [1] in the 1980s to describe the mixture of "great enthusiasm for modern technology with a rejection of the Enlightenment and the values and institutions of liberal democracy" that was characteristic of the German Conservative Revolutionary movement ...
In historiography, historical revisionism is the reinterpretation of a historical account. [1] It usually involves challenging the orthodox (established, accepted or traditional) scholarly views or narratives regarding a historical event, timespan, or phenomenon by introducing contrary evidence or reinterpreting the motivations and decisions of the people involved.
As an example, Andy Warhol's pop art across multiple mediums challenged traditional distinctions between high and low culture, and blurred the lines between fine art and commercial design. His work, exemplified by the iconic Campbell's Soup Cans series during the 1960s, brought the postmodernist sensibility to mainstream attention.
If one party to a debate accuses the other of denialism they are framing the debate. This is because an accusation of denialism is both prescriptive and polemic: prescriptive because it carries implications that there is truth to the denied claim; polemic since the accuser implies that continued denial in the light of presented evidence raises questions about the other's motives. [10]