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Kerry Mills (né Frederick Allen Mills; 1 February 1869 in Philadelphia – 5 December 1948 in Hawthorne, California), publishing also as F.A. Mills, was an American ragtime composer and music publishing executive of popular music during the Tin Pan Alley era.
The Cakewalk was a popular African-American dance which originated in plantation slave communities in nineteenth century America, and ultimately contributed to the musical style Ragtime. [23] The simultaneous sounding of the two independent rhythms, the combination of the waltz in the bass and the syncopation of the main theme in the treble, is ...
While the word ragtime was first known to be used in 1896, the term probably originates in the dance events hosted by plantation slaves known as “rags”. [4] The first recorded use of the term ragtime was by vaudeville musician Ben Harney who in 1896 used it to describe the piano music he played (which he had extracted from banjo and fiddle players).
"Cake Walk in the Sky" was published by M. Witmark & Sons in New York in 1899. On the cover to the sheet music, "Cake Walk in the Sky" is described as a "March A La Ragtime" and as "A Rag-Time Nightmare". In January 1896 Harney moved to New York City, where he appeared regularly at Tony Pastor's Music Hall. That same year Harney was referred to ...
The "Swipesy Cakewalk" is a ragtime composition published in 1900 by a musical duo consisting of Scott Joplin, who likely composed the trio, and the young composer Arthur Marshall, who most probably composed the rest of the piece with oversight from Joplin. [1] "
Sadie G. Koninsky (August 1879 – January 2, 1952) was an American composer, music publisher, and music teacher who lived most of her life in Troy, New York.A prolific composer, she is thought to have authored over 300 pieces of music, [1] including waltzes and marches.
Ragtime is a musical with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally. It is based on the 1975 novel of the same name by E.L. ...
The cakewalk was influenced by the ring shout, which survived from the 18th into the 20th century. [5] This dance style was often part of African American slaves' religious ceremonies and involved shuffling the feet counterclockwise in a circle (ring) formation and reciting spirituals in a call-and-response format with others outside of the ring.