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The Plexiglas panel led to the name "Plexi", and while 50-watt models of the time are also called Plexis, [6] the 1959 100 watt model is generally thought of as the "definitive" Plexi. [7] The panels were actually made from much tougher polycarbonate plastic, but to the average American observer, it looked like the more familiar Plexiglas, and ...
Their most publicised feature was the half-power switching, which is activated by a third rocker switch next to the standard "power" and "standby" switches. On the 50-watt model this was reflected in the numbering – 2550 is switchable from 25 to 50 watts – and also reflected Marshall amplifiers' 25th anniversary and Jim Marshall's 50 years ...
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
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The Middleton is the loudest portable speaker in Marshall's lineup. It's also water-resistant, plays from all angles and lasts for 20 hours. Marshall just released its loudest portable speaker yet
521 Portable Power Station. With a 256-watt-hour capacity, the Anker 521 is an ultra-portable power station perfect for outdoor use. ... It can run for up to 6.5 hours at 50 percent load when ...
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers , is credited with delivering "the sound that launched British blues -rock in the mid-1960s."
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