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Nāgavarma I (c. 990) was a noted Jain writer and poet in the Kannada language in the late 10th century. His two important works, both of which are extant, are Karnātaka Kādambari, a champu (mixed prose-verse metre) based romance novel and an adaptation of Bana's Sanskrit Kādambari, and Chandōmbudhi (also spelt Chhandombudhi, lit, "Ocean of prosody" or "Ocean of metres"), the earliest ...
[1] [3] Though Kesiraja followed the model of Sanskrit grammar of the Katantra school and that of earlier writings on Kannada grammar, his work has an originality of its own. [ 4 ] Shabdamanidarpanam is the earliest extant work of its kind, and narrates scientifically the principles of old Kannada language and is a work of unique significance.
In Kannada, there cannot be more than one finite, or conjugated, verb in the sentence. [10] For example, the sentence 'I went to school and came home.' cannot be literally translated into Kannada. The Kannada equivalent of that sentence would be 'Having gone to school, I came home.' In Kannada, adverbial participles must be used.
Shivakotiacharya (also Shivakoti), a writer of the 9th-10th century, is considered the author of didactic Kannada language Jain text Vaddaradhane (lit, "Worship of elders", ca. 900). A prose narrative written in pre-Old-Kannada (Purva Halegannada), Vaddaradhane is considered the earliest extant work in the prose genre in the Kannada language.
Ragale (Kannada: ರಗಳೆ Ragaḷe) is a type of meter in Kannada prosody that is used in Kannada poetry. This meter can usually have as many padas of syllables divided into two groups of various fixed number of matra in each line. It is the most prevalent meter of the Old Kannada poets Harihara and Raghavanka. [1]
From the late 10th century, Kannada literature made considerable progress under the patronage of the new overlords of the Deccan, the Western Chalukyas and their feudatories: the Hoysalas, the southern Kalachuris of Kalyanis, the Seuna Yadavas of Devagiri and Silharas of Karad. [67] [68] The skill of Kannada poets was appreciated in distant lands.
It is a Kannada version of the great epic, the Mahabharata of Vyasa. Pampa chose Arjuna , the central figure of the Pandava Clan, as the protagonist of his epic. This work differs from Mahabharata in several aspects, one of them being Arjuna crowned as king and Subhadra as queen after the Kurukshetra war, instead of Yudhishthira and Draupadi ...
Kappe Arabhatta (Kannada: ಕಪ್ಪೆ ಅರಭಟ್ಟ) was a Chalukya warrior [1] of the 8th century who is known from a Kannada verse inscription, dated to c. 700 CE, and carved on a cliff overlooking the northeast end of the artificial lake in Badami, Karnataka, India.