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The Sleeping Beauty (Russian: Спящая красавица, romanized: Spyashchaya krasavitsa listen ⓘ) is a ballet in a prologue and three acts to music by Pyotr Ilyich Tchaikovsky, his Opus 66, completed in 1889. It is the second of his three ballets and, at 160 minutes, his second-longest work in any genre.
A promotional image of the characters from Sleeping Beauty. From left to right: the forest animals, the Goons, Maleficent, Diablo, Prince Phillip, Princess Aurora, Flora, Queen Leah, Fauna, Merryweather, King Stefan, King Hubert, Samson, and the lackey. The following are fictional characters in Disney's 1959 film Sleeping Beauty and related media.
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Carabosse as envisaged by Léon Bakst. The Wicked fairy is the antagonist of Sleeping Beauty.In some adaptations, she is known as Carabosse.The most notable adaptation of the character is Maleficent, a Disney villain who appeared in various Disney media, beginning with the 1959 Walt Disney film Sleeping Beauty.
Ashton's Cinderella is his own realised dream of a Petipa ballet and the ballet itself enacts the realisation of dreams, notably Cinderella's own. When we first see her she is a demi-caractere dancer dreaming of being a ballerina—that seems to be the balletic point of her solo with the broomstick in the kitchen—and it is as a ballerina that she magically enters the ballroom, stepping en ...
The Sleeping Beauty (1992), song on album Clouds by the Swedish band Tiamat. Sleeping Beauty Wakes (2008), an album by the American musical trio GrooveLily. [97] There Was A Princess Long Ago, a common nursery rhyme or singing game typically sung stood in a circle with actions, retells the story of Sleeping Beauty in a summarised song. [98]
Sleeping Beauty's castle is the most iconic Disney image there is -- and its design is surprisingly based on a real-life castle in Sagovia, Spain! And while the replica, ...
Dornröschen (Sleeping Beauty) is a 1902 opera by Engelbert Humperdinck.The libretto, based on the story of Sleeping Beauty, was by fairy tale writer Elisabeth Ebeling [1] and Bertha Lehrmann-Filhés, with a dialogue version by Ralf Eger who worked on Franz Lehár's operettas such as Der Zarewitsch.