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[a] Sometimes they are written in the three-line, seventeen-syllable haiku form, although the most common type of death poem (called a jisei 辞世) is in the waka form called the tanka (also called a jisei-ei 辞世詠) which consists of five lines totaling 31 syllables (5-7-5-7-7)—a form that constitutes over half of surviving death poems ...
There is literary evidence of pictorial representations of the nine stages of decay from China during the Tang dynasty, including Baoji's poem Contemplation on the Mural of the Nine Stages of a Decaying Corpse (c. 618-907 AD). [1]: 25 Japanese images of the nine stages, called kusōzu, date from the 13th century.
Matsuo Bashō's poetry is internationally renowned, and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. As he himself said, "Many of my followers can write hokku as well as I can.
Edition of the Kokin Wakashū anthology of classic Japanese poetry with wood-carved cover, 18th century. Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa ...
"Death and Night and Blood (Yukio)", a song by the Stranglers from the Black and White album (1978). (Death and Night and Blood is the phrase from Mishima's novel Confessions of a Mask) [315] "Forbidden Colours", a song on Merry Christmas, Mr. Lawrence soundtrack by Ryuichi Sakamoto with lyrics by David Sylvian (1983).
The practice of performing seppuku at the death of one's master, known as oibara (追腹 or 追い腹, the kun'yomi or Japanese reading) or tsuifuku (追腹, the on'yomi or Chinese reading), follows a similar ritual. The word jigai (自害) means "suicide" in Japanese.
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
In commemoration of the 300th anniversary of Kikaku's death, Nobuyuki Yuasa led an international bilingual (Japanese and English) renku, or collaborative linked poem, which opened with the following hokku by Kikaku: [4] 鐘ひとつ賣れぬ日はなし江戸の春 Springtime in Edo, Not a day passes without A temple bell sold.