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Logotherapy is a form of existential therapy developed by neurologist and psychiatrist Viktor Frankl. [1] It is founded on the premise that the primary motivational force of individuals is to find meaning in life. [2]
Fisher concluded that these views were linked with a parent's reluctance towards responsibilities, associated with a general tone that "happiness prevails.” [22] Parents of comics were found to avoid solemn ideas, identifying negative images in Rorschach tests and then denying their negative elements, such as, "This is a wolf. I thought it ...
Christ's Charge to Peter, one of the Raphael Cartoons, c. 1516, a full-size cartoon design for a tapestry. In fine art, a cartoon (from Italian: cartone and Dutch: karton—words describing strong, heavy paper or pasteboard and cognates for carton) is a full-size drawing made on sturdy paper as a design or modello for a painting, stained glass, or tapestry.
A gag cartoon (a.k.a. panel cartoon or gag panel) is most often a single-panel cartoon, usually including a hand-lettered or typeset caption beneath the drawing. A pantomime cartoon carries no caption. In some cases, dialogue may appear in speech balloons, following the common convention of comic strips.
Paradoxical intention is mainly employed to combat discomfort associated with internal causes while fear of external stimuli can still be treated through conventional treatments such as systematic desensitisation, cognitive behavioural therapy, etc. For example, if the patient has a fear of public speaking, paradoxical intention would be ...
Man's Search for Meaning is a 1946 book by Viktor Frankl chronicling his experiences as a prisoner in Nazi concentration camps during World War II, and describing his psychotherapeutic method, which involved identifying a purpose to each person's life through one of three ways: the completion of tasks, caring for another person, or finding meaning by facing suffering with dignity.
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A study on logo color asked participants to rate how appropriate the logo color was for fictional companies based on the products each company produced. Participants were presented with fictional products in eight different colors identified as either "functional" or "sensory-social" and they had to rate the appropriateness of the color for ...