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G clef (Treble clef) The spiral of a G clef (not a point on the spiral, but the center around which the spiral is drawn) shows where the G above middle C is located on the staff. A G clef with the spiral centered on the second line of the staff is called treble clef. [2] The treble clef is the most commonly encountered clef in modern notation ...
A clef (from French: clef 'key') is a musical symbol used to indicate which notes are represented by the lines and spaces on a musical staff. Placing a clef on a staff assigns a particular pitch to one of the five lines or four spaces, which defines the pitches on the remaining lines and spaces.
A piece in a major key might modulate up a fifth to the dominant (a common occurrence in Western music), resulting in a new key signature with an additional sharp. If the original key was C-sharp, such a modulation would lead to the theoretical key of G-sharp major (with eight sharps) requiring an F in place of the F ♯. This section could be ...
E ♭ 2: Contrabass clarinet: B ♭ 1: Octocontra-alto clarinet E ♭ 1: B ♭ octocontrabass clarinet B ♭ 0: Cornet Soprano cornet: E ♭ 4: Cornet: B ♭ 3: Crotales: C 6: Csakan: A ♭ 4: Euphonium: B ♭ 2: When notated in treble clef fife Folk B ♭ fife: A ♭ 4: Flute: D ♭ piccolo: D ♭ 5: Piccolo: C 5: Treble flute: G 4: F soprano ...
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
Jan Ladislav Dussek's Piano Sonata No. 18 in E ♭ major, Op. 44, known as Les Adieux ("The Farewell"), was written and published in 1800. It was dedicated to Dussek's fellow composer and virtuoso pianist, Muzio Clementi. This sonata is the longest of Dussek's piano sonatas.
With its tonic note being a white key on the piano, and its parallel minor (relative to E♭♭ major) having 10 flats, its usage is generally undesirable. C♭ major does appear in Campagnoli's and Rinck's works mentioned below, along with A# minor, but those collections include both members of all six enharmonically equivalent pairs. [8]
F ♭ is a common enharmonic equivalent of E, but is not regarded as the same note. F ♭ is commonly found after E ♭ in the same measure in pieces where E ♭ is in the key signature, in order to represent a diatonic, rather than a chromatic semitone; writing an E ♭ with a following E ♮ is regarded as a chromatic alteration of one scale ...
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