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Sir Anthony van Dyck (/ v æ n ˈ d aɪ k /; Dutch: Antoon van Dyck [ˈɑntoːɱ vɑn ˈdɛik]; [a] 22 March 1599 – 9 December 1641) [3] was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
National Gallery of Art: Washington DC USA: Oil on canvas 189 × 139 cm Portrait of a man in armour: 1625–1627 Cincinnati Art Museum: Cincinnati USA: Oil on canvas 137,2 × 121,3 Portrait of Jan van Monfort: 1626–1628 Kunsthistorisches Museum: Vienna AUT: Oil on canvas 114,5 × 88,5 cm Portrait of Johannes Baptista Franck: 1626–1632
At that time it was described as being "after van Dyck" ("a fake van Dyck" for the purposes of the shows premise). It was estimated at £4,000 - £6,000 but realised £8,750 (including buyer's premium). An X-ray suggested that Mould's portrait contained a smaller original which had been enlarged and over painted in the 18th century.
Earlier 1635 painting with both Prince Charles and Prince James wearing skirts. In 1635 Van Dyck had painted a portrait of the same three children, which was intended to be sent to the Queen's sister Christina, in exchange for portraits of the Duchess's children. However, the King was angry with Van Dyck for showing Prince Charles wearing ...
Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England painted 1635–1636 [1] by the Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection. [2]
Lord John Stuart and His Brother, Lord Bernard Stuart is a large oil painting by Anthony van Dyck, executed c. 1638.The life-size double portrait depicts the two youngest sons of Esmé Stewart, 3rd Duke of Lennox: Lord John Stewart (1621–1644) and Lord Bernard Stuart (1622–1645), aged about 17 and 16 respectively.
Saint Ambrose barring Theodosius from Milan Cathedral is a painting of c. 1619–20 by Anthony van Dyck in the National Gallery, in London. It draws heavily on a 1618 treatment of the same subject by Peter Paul Rubens, on which van Dyck had worked as a studio assistant. In van Dyck's version, Theodosius is beardless, the architectural ...
Prime version of van Dyck's first equestrian painting of Charles I, Charles I with M. de St Antoine, 1633 Charles I with M. de St Antoine is an oil painting on canvas by the Flemish painter Anthony van Dyck, depicting Charles I on horseback, accompanied by his riding master, Pierre Antoine Bourdon, Seigneur de St Antoine.