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"I See Fire" was well received in Oceania. In New Zealand, single peaked at number 1 for three weeks. [27] It was certified triple platinum by the Recorded Music NZ, denoting sales of 45,000 copies. "I See Fire" is the 6th top-selling single in New Zealand in 2014. [28] In Australia, the single peaked at number 10 for 3 non-consecutive weeks. [29]
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression
Major Chords (Guide for Guitar Chord Charts) A: 002220; B: x24442; C: 032010; D: xx0232; E: 022100; F: 133211; F#: 244322 (movable – remember that no sharps or flats are between BC and EF) Normal G: 320003; Nashville style G: 3×0033; For the other commonly used chords, the conventional fingerings also double notes and feature open-string notes:
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F♯, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
I, IV, V) to represent major chords, and lowercase numerals (e.g. ii, iii, vi) to represent minor chords. Others use uppercase numerals for all chords regardless of their quality . [ 2 ] ( As the II, III, and VI chords always are minor chords and the VII always diminished, a further distinguishment is thought unneeded, see table for Major ...